Saturday, June 13, 2015

Metafiction

Metafiction titles challenge, inspire and motivate creative thinking!

Here is an annotated bibliography of a few metafiction titles with extension activities:


Avi. (1991). Nothing but the truth: a documentary novel. New York: Orchard      
     Books.
Fourteen-year-old Phillip Malloy desperately wants to be on the track team. Ms. Narwin does not accept his laziness toward his academics and gives him a “D” preventing him from trying out for the track team. Students are expected to stand at a respectful silence during the “Star-Spangled Banner”, but Phillip chooses to hum on multiple occasions. Following Ms. Narwin’s multiple failed requests for Phillip to stand silent, he is sent to the principal’s office resulting in suspension. The suspension is brought to the attention of a potential school board member who leaks the information to the media. Across the country Phillip is quickly seen as a patriotic hero, and the school district is scrutinized. The domino effect of events is uniquely presented through dialogue, memos, diary entries and reports. Many points of view and facts are interwoven giving the reader the opportunity to think critically about the situation. This Newbery Honor book offers the opportunity to teach cause and effect, multiple perspectives and writing using varied formats. *6-9
Ø  To view Avi’s interview discussing children and writing visit https://www.youtube.com/watch?v=OBIDvuWHnuk

Freedman, D. (2007). Scribble. New York: Alfred A. Knopf.
Lucie and Emma are sisters. They have both created drawings. Emma drew a princess in the forest waiting on her prince, while Lucie drew a simplistic stick drawing of a cat. Emma and Lucie fight over the drawings, and Lucie scribbles on the princess in retaliation. Scribble is written initially as a comic style story, but takes on a new dimension when the cat takes over the story. He fills the pages with his journey to meet and save the princess. This picture book tells its story through its pops of bold color, various forms of minimalistic art and supportive text making the reader feel the action and emotion along with the characters. It is great for teaching about dealing with emotions as well as for sparking imagination. *K-2
Ø  For more books about art and imagination visit http://www.deborahfreedman.net/parents-teachers/reading-lists/reading-art.html

Gerstein, M. (2009). A book. New York: Roaring Book Press.
A young girl is on a mission to find her story. In A Book the reader awakes the characters by opening the book. The girl’s parents, brother and pets all come alive, and they all know the path of their own story. So, the girl travels from page to page each time arriving in a new literary genre. She travels through a mystery, a fairy tale, a historical novel and her brother’s science fiction story. After her experience, she comes to the conclusion that she does not fit in anyone else’s story. Thus, she becomes an author and writes her own. The uses of detailed illustration with shadowing emphasize the unique viewpoint of the reader looking down onto the book characters and make them appear 3-dimensional. The multi-layered picture book shares a girl’s search for identity, actively illustrates multiple genres and challenges the reader to examine the nature of a book.  *K-3
Ø  View the book trailer at http://www.youtube.com/watch?v=cujQKbRxn4o

Gravett, E. (2005). Wolves. New York: Simon & Schuster Books for Young
     Readers.
Rabbit goes to the library and checks out a book called Wolves. As soon as rabbit opens his book, the reader is brought inside and begins reading a book with-in a book. Wolves live in packs, survive anywhere and are powerful carnivores that eat rabbits. As rabbit learns more about wolves, the more dramatic they become on the page until they are larger than life and rabbit is gone. All that is left of him is a torn page with the word rabbit on it. An alternative ending is provided for those wanting a cheerful outcome. The book’s illustrations give a sense of realism and support the text. Rabbit and his book are drawn realistically with color, while the drawings of the wolves are charcoal sketches from within his book. This book challenges the perspective of a book and encourages the reader to use the text and illustration to make inferences. *K-3

Johnson, D.W. (2010). Palazzo inverso. New York: Houghton Mifflin Books
     for Children.
Mauk was helping his Master build a grand Palazzo, but he was never allowed to help him draw. While his Master napped, Mauk would look at the drawings of the Palazzo slightly turning them to view from different angles. This caused the Master to draw his plans upside down and right-side up. Johnson created a book that challenges the conventional way one reads a book. Initially the story is read in the traditional way, but the story continues and is read turning the book upside down reading it from back to front. The pictures are also drawn to support the text in both directions. They are structured and geometric, yet they are also very detailed drawing the eyes to take a closer look. The unique format will inspire student creativity to concoct a similar story of their own and promote critical thinking. *K-3
Ø  View the book trailer at https://www.youtube.com/watch?v=BwspI9kaK90

McDonnell, P. (2006). Art. New York: Little, Brown and Company.
Art loves to create art. He draws whatever comes to mind. Art is small, but his art is grand. Art shows that imagination has no limits. Even while dreaming, his drawing sends him and his dog off to the moon. When he wakes, he notices his mother has displayed his work on the refrigerator filling him with pride that his creations are appreciated. This simplistic picture book has rhyming text that young readers will enjoy, but the story is truly communicated through the colorful and playful illustrations. Art’s squiggles, dots, doodles and splotches will inspire students to think up creations of their own. *Pre-K-1
Ø  For more books by Patrick McDonnell visit http://www.hachettebookgroup.com/features/patrickmcdonnell/book-art.html

Palatini, M. (1995). Piggie pie. New York: Clarion Books.
Gritch the Witch is on a mission for 8 plump piggies. She is starving and craving Piggie Pie. She finds the address to Old MacDonald’s farm and decides that is the best place to get some pigs. To no avail, she was outsmarted by the pigs and left with none. She did however meet the starving wolf that had been outwitted by the three little pigs and enticed him to come for dinner. Characters truly come to life with vibrant personality through Piggie Pie’s bright, bold and detailed illustrations. Creativity is abundantly present in the cleverly written story filled with references to classic tales like Little Red Riding Hood and The Three Little Pigs as well as a twist on the beloved song Old MacDonald. Students will be inspired to invent stories including characters and/or settings of some of their personal favorite tales.  *K-3
Ø  For a printable reader’s theater version http://www.timelessteacherstuff.com/readerstheater/PiggiePie.html

Pilkey, D. (1999). Captain underpants: And the attack of the talking toilets.
     New York: The Blue Sky Press.
George and Harold are best friends. Everyone at school sees them as double trouble. Principal Krupp has banned them from entering the school’s Invention Convention, but this does not get in their way. They manage to make chaos of all the participants’ inventions and use the Patsy 2000 to make evil talking toilets come to life. With a snap of fingers, hypnotized Principal Krupp transforms into Captain Underpants ready to save the day. When this fails, George and Harold create The Urinator to fix the disaster they created. Pilkey uses a combination of narrative and comic format in the Captain Underpants series, but his flip-o-ramas set them apart. Woven and strategically placed, the flip-o-ramas bring action sequences to life by flipping pages quickly making them appear animated. This silly, funny, interactive and multi-format book will hook readers and send them in search for another book in the series. *3-6
Ø  For more books, videos & games visit http://www.pilkey.com/book-series/captain_underpants

Rosenthal, A. K. & Lichtenheld, T. (2009). Duck! Rabbit! New York:
     Scholastic Inc.
Is it a duck, or is it a rabbit? No one knows for sure. It depends on whom you ask. One shape is subject to difference of opinion based on the viewer. This ALA’s Notable Children’s Book challenges readers to view a single image multiple ways. Through the use of one shape being consistently repeated with only slight additions of a word, a color or an object being added from page to page, the book could be read through the illustrations alone. The simplistic text supports viewing the image as both a duck and a rabbit. Lots of fun and greatly captivating, Duck! Rabbit! will have students freely expressing their points of view. It is great for teaching the art of persuasion and understanding multiple perspectives.  *Pre-K-1

Scieszka, J. & Smith, L. (1992). The stinky cheese man and other fairly
     stupid tales. New York: Penguin Group.
This Caldecott Honor book challenges and reinvents traditional literature as well as traditional book format. The book is made up of 10 stories that are based on classic fairy tales, but the characters and storylines take a new direction. For example, Cinderella meets Rumpelstiltskin and her stepsisters begin calling her Cinderumpelstiltskin. Little Red Riding Hood is called Little Red Running Shorts and races the wolf to granny’s house. The narrator Jack speaks to the reader and characters alike making the stories feel interactive. The text changes in size, capitalization, color and direction emphasizing the action taking place or the silliness of the story. The illustrations also have a multimedia effect combining painting, sketching and collage techniques. This unique and quirky picture book will grab and hold student attention. It is a great tool to teach creative writing and the use of creative format. *K-3

Spiegelman, A. (1980). Maus: A survivor’s tale. New York: Pantheon Books.
This Pulitzer Prize winning graphic novel tells two parallel stories. One storyline takes place in New York and consists of Art’s relationship with his father Vladek. They do not share a close relationship, but Art visits his father in order to record his experience as a Jew during the Holocaust. Through their awkward visits and strained conversations, Art’s family history comes alive. The second storyline takes place in Poland and is told through a series of flashbacks. Art learns of how his parents, Vladek and Anja, lived through German soldiers forcing Jews out of their homes, out of their businesses and into hiding. Art comes to understand that the loss of his parents’ first-born child, the loss of family and friends, starvation and fear were all factors contributing to his mother’s suicide. The use of dual stories allows the reader to understand and see Vladek’s multiple layers. His story of survival is compelling and heart wrenching. This book is a great tool to illustrate and inspire the use of biographic information, multiple viewpoints and graphic format. *9-12
Ø  To learn more about how to use comics as a classroom resource visit http://www.graphicclassroom.org

Van Allsburg, C. (1984). The mysteries of harris burdick. Boston,
     Massachusettes: Houghton Mifflin Company.
Van Allsburg compiled and created The Mysteries of Harris Burdick from pages left behind by aspiring author Harris Burdick. Burdick left illustrations with titles and captions with a publisher, but he disappeared and never returned with any accompanying stories. The mysterious images with no narrative inspired kids who saw them to write stories of their own. So, Van Allsburg decided not to write his own interpretation but rather publish the images and captions alone. His goal is for this book to be used to inspire all children who read it to invent tales of their own. The realistic pictures have such depth and texture. The imagination is easily sparked with ideas. The illustrations could be used to inspire a collection of short stories or could be interconnected to tell one detailed story from beginning to end.  *K-3














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